...and he's talking Twilight.
"Last year, Stephenie Meyer had the amazing opportunity to direct a music video for the song “The Resolution” by one of her favorite bands, Jack’s Mannequin. Now, in a new interview with Blast Magazine, Jack’s Mannequin frontman Andrew McMahon talks about how Stephenie got involved with the project, how it was working with her, whether he’d be interested in contributing to a future Twilight-film soundtrack and more:
BLAST: Tell me a little bit about working with Stephenie Meyer on the making of the “The Resolution” music video.
AM: It was one of these things where I had a friend of mine who had notified me, this is probably months before I got involved with Stephenie, that Stephenie was a fan of Jack’s Mannequin and that she had made reference to Jack’s either on her website or in the thank you’s in one of her books as being an inspiration for a character or whatever, we were on a play list or something like that. I heard this and at that point didn’t really know much about “Twilight” and while it was obviously a huge phenomenon throughout the country and probably the world and what-not, I don’t think it had quite broken the surface yet. As the months wore on, obviously I was sort of realizing how big a deal this whole thing was and about the same time we were searching for video treatments for “The Resolution” and frankly hadn’t really found one that we clicked with. It was sort of a frustrating process and I was trying to kind of sort it out and we started talking; myself and the label, we started talking about, “Is there anything we could do that would be different and cool and clever that might invigorate this process, and maybe it isn’t just going to video treatments, maybe we reach out to the musicians from another band we like or we reach out to film directors or actors or other people we know?,” that sort of thing. In that conversation, I was like, “Well you know, this woman who writes these books that have sold millions of copies is a purported fan of Jack’s Mannequin. Maybe we could reach out to her. She’s an author, I’m sure she could come up with something cool.” And then of course, it was sort of a pipe dream, I guess, in a sense. I mean I wasn’t really thinking of it on the grander scale of how huge she really was. Sure enough, we reached out, and she was like, “Sure, that sounds great,” and she sent in three treatments and we loved one of them and she ended up coming out and co-directing the video for us.
BLAST: How involved was Stephenie in the process of filming the video?
AM: It wasn’t like she was behind the camera, you know, she’s an author. There was this guy named Nobel Jones who is a director and she was on set the whole time, she obviously wrote the treatment, and she and Nobel collaborated quite a bit as far as the execution of her vision and how she wanted it to look. She was definitely there and approving shots and giving her opinion of certain shots as we went along, so she was definitely a part of the production and the directing of the video, sure.
BLAST: When you were making “The Resolution,” were you thinking mermaids?
AM: (laughs) No, and that’s almost why I picked her treatment more than anybody else’s, you know what I mean? Like, especially when I think my story and what people perceive and, frankly, what is a legitimate perception of what that song is about, we started getting a lot of treatments that I think were just very literal, and what I loved about Stephenie’s is that it was creative. I mean, I loved the metaphor, I loved that she made it more sort of this bizarre kind of love story. There’s the water rising and representing the kind of love that you can’t escape sort of thing and there’s the mermaid at the end. The mermaid sort of freaked people out in the treatment, but I was like, “Let her do her thing. She obviously has done well enough for herself; I’ve got a crazy feeling it’s going to be okay.” And I think they nailed it. But was I writing about mermaids? Definitely not.
BLAST: Bands like Muse and Blue October, who Stephenie’s expressed interest in, have written songs for the movies. I know you wrote “Meet Me At My Window” for “Superman Returns.” Would you be interested in doing something like that for the future “Twilight” movies?
AM: Yeah, of course I would. But that’s like one of the biggest trench wars in the entire music business, just people trying to get their artists on future “Twilight”s or things like that, you know. I tend to find, when it comes down to things like that, where it’s just a bloody bath over everybody trying to force their way in the door and figure it out that I tend to shy away from it. But I would love to have a song featured in (”New Moon”), no question. I don’t tend to written from a writing assignment standpoint, I write what I feel in my day-to-day life, and if there’s something from that that inspires the person putting the soundtrack together enough that they want to use it, then god, of course I would be totally honored, you know? Whether or not I’ll go sit down and pen a song with “New Moon” in mind is maybe a different story.
To read the full interview, click
here.
And for those of you who haven't yet seen the video, "The Resolution",
click here."
Thanks Twilighters Anonymous!
Nikki Reed has teased a bit on what would Bella's 18th birthday be like in "The Twilight Saga's New Moon". At T-Mobile Sidekick LX launch party, the Rosalie Hale of "Twilight" opened up to MTV News of the particular scene, saying "[There isn't] that much [blood], believe it or not. Unless they plan on adding stuff in on post [production]." 
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